A study of M.Kamal’s Nao Ghazal
Keywords:
M. Kamal, Ghazal, Nao Ghazal, Poetry, Lyrics, Shaikh Ayaz, Narayan Shyam, Wasdev MohiAbstract
When Sheikh Ayaz was busy in writing modern and very popular lyrics here in Sindh, and Naraen Shiyam there in India. M. Kamal found his new path in poetry writing with different diction and expression.
At that time, none of any poet was free in order to come out from the poetic impact of Ayaz and Shiyam but M.Kamal did so.
In his second book of poetry named “Roshan Rahoon, Dundhla Maag” he recognized himself very new voice of modern poetry, through that book he foundation of his own way and style in poetry writing.
In the end of that book, he wrote a note on new lyrics, what he chosen for self. In that note he discussed comprehensively and made clear the features of new ”غزل“ lyrics.
More ever, he wrote in that note, that, “the feeling of today’s age is material, machnical and full with fear, and people are facing uncertainty, loneliness, alienation and sense of helplessness.
He brought new sprit of life. His “ghazal” changed the atmosphere of poetry.
In this article, the scholar tried to draw an image of M.Kamal, as the poet, along with his new and un-touched thoughts, he introduces in his poetry.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Copyright ©SINDHI BOLI All Rights Reserved
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright provides the exclusive legal right to produce, reproduce, and publish original research work. As the Sindhi Boli Journal is an open-access journal, authors retain ownership of the copyright for their articles.
Under the journal's open-access license, users are allowed to download, print, extract, reuse, archive, and distribute articles, provided that proper credit is given to the authors and the source of the work. This license ensures that the author's research is widely accessible and can be included in any scholarly archive, maximizing its reach and impact.
For more information on reuse rights or permissions, please contact the editorial board.
Sindhi Boli Journal supports the free exchange of ideas and encourages academic and educational use of its material under fair use guidelines, provided that appropriate credit is given to the original authors and the journal.
Copyright is the exclusive legal right to produce, reproduce, and publish original research work. As the Progressive Research Journal of Arts and Humanities (PRJAH) is an open-access journal, authors are asked to retain ownership of the copyright of their articles. The license permits any user to download, print out, extract, reuse, archive, and distribute the article, so long as appropriate credit is given to the authors and source of the work. The license ensures that the author's article will be available as widely as possible and that the article can be included in any scholarly archive.